After all the Furtwängler reissues, containing every possible mixture of the conductor's live, studio, and broadcast material on dozens of labels, does anyone need this newly assembled and remastered collection of what purports to be his complete studio and "approved for release" live recordings (but isn't that exactly)? I would say no. That's the bottom line. Check out the video to understand why.
Review:Fifty-FourFallible
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